About the Artist

Artist's Statement

My work is informed by the landscape observed up close. In my study of the natural world, I find richness in the variety of texture, color, light and line. I equate the abundance of the landscape with elegant brocades. I find a richness and liveliness in the abstractions of overlooked tangles and grasses. While the landscape is always changing, I celebrate unique moments that bring me joy. In contrast to an existing climate focused on scarcity, I acquire abundant inspiration in our rich ecology. The woods and water' s edge become places for contemplation, observation, and being in the moment. I intend to make an immersive experience that resonates with the viewer and forms a connection with the beauty of the ordinary.

My observations from my walks become acrylic paintings or kiln-formed glass. The paintings begin from sketches, working out the composition for completed paintings. For the glasswork, I use frit (ground and crushed glass) powdered glass, and vitrograph, (heated and stretched rods of glass) to create work with a similar feeling to my paintings. Glass provides unique possibilities with its transparency and reaction to light. In their construction both glass and paintings are created through layers and that brings a complexity and depth, whether actual or perceived. While the materials are different, I find the way I express myself in them is related.

This video explains the inspiration and process of my work, with a particular focus on my glass work. View it on Vimeo

Movement is particularly important in Surmon's work and practice. There is the physicality to walking, looking and noticing things others may not. This physicality brings life into the paintings through gestures, almost choreographically.

Sam Hopple, independent curator and arts writer

Biography

Angelita was born in Lebanon, Oregon and currently lives and works in Portland, Oregon. She earned BS and BFA degrees from Oregon State University. Her interaction with instructors who were also professional artists acquainted her with the realities of being an artist. Being stubborn, it solidified her desire to make it her life's work. She has shown her studio work in galleries nationally since 1981. She began creating public artwork in 2009. Recent projects include a commission for the Davis Global Center, Omaha, NE installed in 2020 and direct public art purchases in 2026 for the Oregon State Police offices, Central Point, OR and a new residence hall at the University of Nebraska Medical Center, Omaha, NE. The mix of studio work and public projects creates pathways to new audiences. She finds public projects are an opportunity to meet new people, learn about a new place, and expand her skill set. She began working with glass in 2010 as another way to express the quality of light in the landscape.